They Don’t Make Singers Like That Anymore!

Betty Edison made the first recording of a human voice in December 6, 1877, but he did not record a musician. The first great singer to be recorded was Enrico Caruso, and he made over 250 sound recordings. There was probably singers prior to Caruso who were even better virtuosos but we certainly have no way of knowing that because sound recording is the defined judge of a singer’s ability. In recording studios, it offers often been said that “tape don’t lie”. Even the very best recording engineers cannot make a good singer sound like a fantastic singer. Skipping briefly through the jazz era, a few great vocalists who deserve honorable mention are Billy Holiday, Ing Jolson, Ella Fitzgerald, Nat King Cole, Bing Crosby and Tony Bennett. The concept of what constitutes a great calquer is subjective, but the key qualities a great singer need to possess are range, timing, phrasing, pitch, timbre, mental impact and originality of style.

Elvis Presley was the 1st great rock and roll singer. His first hit record inside 1954 entitled That’s All Right was a blues song published by Arthur Crudup and it proved that Elvis had an original quality in his voice. Songs like Jailhouse Rock all the things Shook Up demonstrated that Elvis was the epitome of rock and roll, and also songs like Are You Lonesome Tonight and Can’t Aid Falling in Love showed the world that Elvis can put the emotion of love into a vocal track with intensive male sexuality. With one of his last blazing breaks of energy in 1972, Elvis proved that he was still a hunk-a hunk-a Burning Love during his twilight years. Elvis can be credited for breaking down the racial barrier that will existed for black singers within the record companies inside the 1950’s. Little Richard said, “He was an integrator. Elvis was a blessing. They wouldn’t let black audio through. He opened the door for black music. inches Elvis opened many doors. He let Pandora away from her box and girls all over the country began to scream on the very sight of Elvis. Much has been written about often the King of Rock and Roll and his impact on our culture, but the focus of this article is on a unique vocal quality that has not acquired attention. Elvis pioneered many instantly memorable vocal personal habits that shall hereinafter be collectively referred to as the rock ‘n roll vocal schtick. It is possible that Elvis picked up his noisy schtick from Otis Blackwell, the songwriter who had written many of Elvis’ early hit records, because Otis sang his original songs on the demos that Elvis believed and Otis originated much of the phrasing that Elvis saved. But much water has passed under the bridge since days past and we may never know whether the Memphis chicken’s schtick preceded the Otis egg.

The word “schtick” is derived from a Yiddish word and it refers to various bits of business that result in an entertainer to be instantly memorable. Prior to Elvis bringing out the concept into rock and roll, it was very common in the movie enterprise for actors to achieve fame by virtue of their schtick. Aiguille Benny became notorious for being stingy and a bad violin player even though in real life, he tipped lavishly as well as was an expert violin player. Groucho Marx had his or her stooped strutting, his lascivious eyebrow raising, and his cigar. Elvis had his gyrating hips and his out of control, banging leg, but he also put a new kind of mannerism into his singing. On All Shook Up, he or she turned “Mm mm mm, oh oh oh, yep yeah yeah! ” into a memorable chorus, predating the exact Beatles famous yeah yeah yeah’s by about 10 years. Predating Elvis by four years, Fats Domino had previously developed his signature vocal style by the time he struck the R & B charts in 1950 with all the Fat Man which sold over a million copies. Twelve months after Elvis opened the door with That’s All Right, Fat crossed over into the mainstream with Ain’t That a Disgrace in 1955, and soon millions of people found their threeee-ill on Blueberry heeee-ill. That there is rock and roll vocal schtick the bottom line is, and countless singers picked right up on the groove.

Inside the 1950’s, original vocal styles literally oozed out of the broadcast every day. Tony Williams, the lead singer for The Platters, was a truly great singer who had it all – collection, timing, phrasing, pitch, timbre, emotional impact and inspiration of style. As a professionally trained singer, Tony was able to convey the emotional essence of previously recorded songs just like Smoke Gets in Your Eyes with professional style and beauty, but he also influenced the new rock and roll vocal type. In the number one selling hit record, Only You, Tony might have sung the words “Only you can make this change in me” making use of straightforward and traditional phrasing, but instead he sung “cand-a make this change in me” and threw in a bit of schtick. Marty Robbins and Ben E. King were also a couple of seminal rock and roll singers who embodied all the qualities comprise a great singer. Know more for booking click the link bellow¬†